LaMuT

Table of Contents

BIBLIOGRAPHICAL REFERENCES

 

 

Books

Adorno, Theodor: Théorie Esthétique, (Klincksieck, Paris, 1976).

Bayle François, ed.: Pierre Schaeffer - l'Oeuvre Musicale, texts on Schaeffer by himself and others, along with 4 CDs of his works. (INA-Seguier, Paris, 1990).

Bergson, Henri: Matière et Mémoire, (P.U.F., Paris, 1982).

Blanchot, Maurice: L'Espace Littéraire, (Gallimard, Paris, 1955).

Borwick, John, ed.: Sound Recording Practice, (Oxford University Press, New York, 1987).

Chion, Michel: L'Art des Sons Fixés, (Éditions Métamkine/Nota Bene/Sono-Concept, Fontaine (France), 1991).

Cott, Jonathan: Stockhausen: Conversation with the Composer, (Simon and Schuster, New York, 1973).

Dack, John: The Relationship between Electro-Acoustic and Instrumental/Vocal Composition in Europe in the Period 1948-70, Ph.D Thesis, (Middlesex Polytechnic. Faculty of Education and Performing Arts, 1989).

Eimert, H., Humpert, H. U.: Das Lexikon der Elektronischen Musik, (Gustav Bose, Regensburg, 1973).

Emmerson, Simon, ed.: The Language of Electroacoustic Music, (The Macmillan Press, London, 1986).

Focillon, Henri: The Life of Forms in Art, (Yale University Press, New Haven, 1942).

Groupe de Recherches Musicales: La Recherche Musicale au GRM, (La Revue Musicale. Éditions Richard-Masse, Paris, 1986).

Humpert, Hans Ulrich: Elektronische Musik, (B. Schott's Söhne, Mainz, 1987).

Jonas, Oswald: Introduction to the Theory of Heinrich Schenker, (Longman, New York, 1982).

Karlheinz Stockhausen: Texte zur Musik 1963-70, Texte Band 3 (M. DuMont Schauberg, Köln, 1971).

Lucretius: De Rerum Natura, with an English translation by W.H.D. Rouse, (Harvard University Press, Massachusetts, 1975).

Lucretius, tr. by Ronald Latham: On the Nature of the Universe, (Penguin, London, 1951).

Massey, H.; Noyes, A. and Shklair, D.: A Synthesist's Guide to Acoustic Instruments, (Amsco Publications, New York, 1987).

Nietzsche, Friedrich: Daybreak. Thoughts on the Prejudices of Morality, (1881), (Cambridge University Press, Cambridge, 1982).

Nietzsche, Friedrich: Human, All Too Human, a Book of Free Spirits, (1878), (Cambridge Univerity Press, Cambridge, 1986).

Penfold, R.A.: Advanced MIDI User's Guide, (PC Publishing, Tonbridge, Kent, 1991).

Schaeffer, Pierre: Le Traité des Objets Musicaux, (Seuil, Paris, 1966).

Schaeffer, Pierre: Solfège de l'Objet Sonore, (Seuil/GRM, Paris, 1967).

Sontag, Susan: Against Interpretation, (André Deutsch Limited, London, 1987).

Sontag, Susan: Styles of Radical Will, (Secker and Warburg, London, 1969).

Stockhausen, Karlheinz: Texte zu Eigenen Werken, zur Kunst Anderer, Aktuelles, Texte Band 2 (M. DuMont Schauberg, Köln, 1964).

Stockhausen, Karlheinz: Texte zur Elektronischen und Instrumentalen Musik, Texte Band 1 (M. DuMont Schauberg, Köln, 1963).

Stroh, Wolfgang Martin: Zur Soziologie der Elektronischen Musik, (Amadeus Verlag, Berg a.I/Zürich, 1975).

Thom, René: Modèles Mathématiques de la Morphogenèse, (Union Générale d'Éditions, Paris, 1974).

Thom, René: Parábolas e Catástrofes, Entrevista sobre Matemática, Ciência e Filosofia conduzida por Giulio Giorello e Simona Morini, (Publicações Dom Quixote, Lisboa, 1985).

Wishart, Trevor: On Sonic Art, (Imagineering Press, York, 1985).

Wittgenstein, Ludwig: Philosophical Investigations, (Blackwell, Oxford, 1953).

 

 

 

Articles, Reviews, Newletters and Manuals

Besnier, Jean-Michel: "Les sciences cognitives ont-elles raison de l'âme?", Esprit,

(nº 5, June, 1991).

Bowcott, Peter: " High Level Control of Granular Synthesis Using the Concepts of Inheritance and Social Interaction", ICMC Glasgow 1990 Proceedings, (1990).

Eimert, Herbert: "What is Electronic Music?", die Reihe, I (English version), Theodor Presser (London, 1958).

Emmerson, Simon: "Interview with Jonathan Harvey", Sonic Arts Network Journal, (Volume 5, June, 1991).

Faas, Ekbert: "Interview with Karlheinz Stockhausen", Interface 6, (1977).

Gubernikoff, Carole: "A Legitimação da Composição Musical no Século XX",

unpublished paper for a conference at the II Encontro Nacional da ANPPOM, Belo Horizonte, Brazil (1990).

MacSoutiLs, User's Manual, version 1.0, for the software created by Serge de Laubier and distributed by the GRM. 1992.

McAdams, Stephen, ed.: Contemporary Music Review, Music and Psychology: A Mutual Regard, Volume 2, Part 1, August 1987.

Ricoeur, Paul: 'L'Identité Narrative', Esprit, (nº 7/8, July/August, 1991).

Scaletti, Carla: "Composing Sound Objects in Kyma", Perspectives of New Music,

(Volume 27, nº1, Winter, 1989).

Smalley, Denis: "Composer Intention and Listener Reception: Can They Be Reconciled?" unpublished paper for a conference during the Nordic Computer Music Days, Stockholm (September, 1991).

The Eighth Nerve, the Official Organ of the Symbolic Sound Corporation, newsletter from the creators of the workstation Kyma/Capybara. Vol. 2, nº1. Spring 1992.

Truax, Barry: " Composing with Real-time Granular Sound", Perspectives of New Music, (Volume 28, April, 1990).

Truax, Barry: "Real-time Granular Synthesis with a Digital Signal Processor", Computer Music Journal, (Volume 12.2, 1988).

Truax, Barry: "Time-shifting of Sampled Sound with a Real-time Granulation Technique", ICMC Glasgow 1990 Proceedings, (1990).

Vandenhede, Jan: "Jonathan Harvey's Ritual Melodies", Sonic Arts Network Journal, (Volume 5, June 1991).

Vaz, Guilherme: " Música: Orfeu", Arte e Palavra - Orfeu, (Forum de Ciência e Cultura, Rio de Janeiro (1990).

Wishart, Trevor: "Computer Music and Postmodernism", Sonic Arts Network Journal, (Volume 5, June, 1991).

 

 

Recommended Listening

Bayle, François: Motion Emotion -Les Couleurs de la Nuit, (INA C1001, INA-GRM, FRANCE)

Bayle, François: Théâtre d'Ombres - Mimaméta, (MG CB 0291, Magison, INA-GRM, FRANCE)

Bayle, François: Vibrations Composées - Grande Polyphonie, (MG CB 0392, Magison, INA-GRM, FRANCE)

Henry, Pierre: Le Livre des Morts Egyptien, (Mantra 043, WM330, FRANCE)

Ligeti, György: Chamber Concerto, Ramifications, String Quartet et al, (DGG 423 244-2, Deutsche Gramophon, GERMANY)

Ligeti, Nono, Boulez, Rihm: Wien Modern, (DGG 429 260-2, Deutsche Gramphon, GERMANY)

Nono, Luigi: Como una Ola de Fuerza..., (DGG 423 248-2, Deutsche Gramophon, GERMANY)

Parmegiani, Bernard: De Natura Sonorum, (INA CD 0192, INA-GRM, FRANCE)

Parmegiani, Bernard: La Création du Monde, (INA C1002, INA-GRM, FRANCE)

Racot, Risset et Teruggi: Daniel Kientzy Saxophones - Saxcomputer, (INA C2000, INA-GRM, FRANCE)

Schaeffer, Pierre: L'Oeuvre Musicale, (INA C1006-1007-1008-1009, INA-GRM/Seguier, ADDA, FRANCE)

Smalley, Maiguashca, Loy et al.: Computer Music Currents 5, (Wer 2025-2, Wergo, GERMANY)

Smalley, Vaggione, Kessler et al.: Computer Music Currents 6, (Wer 2026-2, Wergo, GERMANY)

Vaughan, Williams, MacDonald, Wishart et al. Electroacoustic Music, (Overhear Music 1989, University of Keele, UK)

Zanési, Christian: Stop l'Horizon, (INA C2001, INA-GRM, FRANCE)