BIBLIOGRAPHICAL REFERENCES
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Adorno, Theodor: Théorie Esthétique, (Klincksieck, Paris, 1976). |
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Bayle François, ed.: Pierre Schaeffer - l'Oeuvre Musicale, texts on Schaeffer by himself and others, along with 4 CDs of his works. (INA-Seguier, Paris, 1990). |
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Bergson, Henri: Matière et Mémoire, (P.U.F., Paris, 1982). |
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Blanchot, Maurice: L'Espace Littéraire, (Gallimard, Paris, 1955). |
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Borwick, John, ed.: Sound Recording Practice, (Oxford University Press, New York, 1987). |
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Chion, Michel: L'Art des Sons Fixés, (Éditions Métamkine/Nota Bene/Sono-Concept, Fontaine (France), 1991). |
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Cott, Jonathan: Stockhausen: Conversation with the Composer, (Simon and Schuster, New York, 1973). |
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Dack, John: The Relationship between Electro-Acoustic and Instrumental/Vocal Composition in Europe in the Period 1948-70, Ph.D Thesis, (Middlesex Polytechnic. Faculty of Education and Performing Arts, 1989). |
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Eimert, H., Humpert, H. U.: Das Lexikon der Elektronischen Musik, (Gustav Bose, Regensburg, 1973). |
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Emmerson, Simon, ed.: The Language of Electroacoustic Music, (The Macmillan Press, London, 1986). |
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Focillon, Henri: The Life of Forms in Art, (Yale University Press, New Haven, 1942). |
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Groupe de Recherches Musicales: La Recherche Musicale au GRM, (La Revue Musicale. Éditions Richard-Masse, Paris, 1986). |
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Humpert, Hans Ulrich: Elektronische Musik, (B. Schott's Söhne, Mainz, 1987). |
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Jonas, Oswald: Introduction to the Theory of Heinrich Schenker, (Longman, New York, 1982). |
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Karlheinz Stockhausen: Texte zur Musik 1963-70, Texte Band 3 (M. DuMont Schauberg, Köln, 1971). |
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Lucretius: De Rerum Natura, with an English translation by W.H.D. Rouse, (Harvard University Press, Massachusetts, 1975). |
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Lucretius, tr. by Ronald Latham: On the Nature of the Universe, (Penguin, London, 1951). |
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Massey, H.; Noyes, A. and Shklair, D.: A Synthesist's Guide to Acoustic Instruments, (Amsco Publications, New York, 1987). |
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Nietzsche, Friedrich: Daybreak. Thoughts on the Prejudices of Morality, (1881), (Cambridge University Press, Cambridge, 1982). |
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Nietzsche, Friedrich: Human, All Too Human, a Book of Free Spirits, (1878), (Cambridge Univerity Press, Cambridge, 1986). |
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Penfold, R.A.: Advanced MIDI User's Guide, (PC Publishing, Tonbridge, Kent, 1991). |
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Schaeffer, Pierre: Le Traité des Objets Musicaux, (Seuil, Paris, 1966). |
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Schaeffer, Pierre: Solfège de l'Objet Sonore, (Seuil/GRM, Paris, 1967). |
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Sontag, Susan: Against Interpretation, (André Deutsch Limited, London, 1987). |
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Sontag, Susan: Styles of Radical Will, (Secker and Warburg, London, 1969). |
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Stockhausen, Karlheinz: Texte zu Eigenen Werken, zur Kunst Anderer, Aktuelles, Texte Band 2 (M. DuMont Schauberg, Köln, 1964). |
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Stockhausen, Karlheinz: Texte zur Elektronischen und Instrumentalen Musik, Texte Band 1 (M. DuMont Schauberg, Köln, 1963). |
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Stroh, Wolfgang Martin: Zur Soziologie der Elektronischen Musik, (Amadeus Verlag, Berg a.I/Zürich, 1975). |
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Thom, René: Modèles Mathématiques de la Morphogenèse, (Union Générale d'Éditions, Paris, 1974). |
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Thom, René: Parábolas e Catástrofes, Entrevista sobre Matemática, Ciência e Filosofia conduzida por Giulio Giorello e Simona Morini, (Publicações Dom Quixote, Lisboa, 1985). |
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Wishart, Trevor: On Sonic Art, (Imagineering Press, York, 1985). |
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Wittgenstein, Ludwig: Philosophical Investigations, (Blackwell, Oxford, 1953). |
Articles, Reviews, Newletters and Manuals
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Besnier, Jean-Michel: "Les sciences cognitives ont-elles raison de l'âme?", Esprit, (nº 5, June, 1991). |
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Bowcott, Peter: " High Level Control of Granular Synthesis Using the Concepts of Inheritance and Social Interaction", ICMC Glasgow 1990 Proceedings, (1990). |
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Eimert, Herbert: "What is Electronic Music?", die Reihe, I (English version), Theodor Presser (London, 1958). |
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Emmerson, Simon: "Interview with Jonathan Harvey", Sonic Arts Network Journal, (Volume 5, June, 1991). |
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Faas, Ekbert: "Interview with Karlheinz Stockhausen", Interface 6, (1977). |
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Gubernikoff, Carole: "A Legitimação da Composição Musical no Século XX", unpublished paper for a conference at the II Encontro Nacional da ANPPOM, Belo Horizonte, Brazil (1990). |
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MacSoutiLs, User's Manual, version 1.0, for the software created by Serge de Laubier and distributed by the GRM. 1992. |
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McAdams, Stephen, ed.: Contemporary Music Review, Music and Psychology: A Mutual Regard, Volume 2, Part 1, August 1987. |
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Ricoeur, Paul: 'L'Identité Narrative', Esprit, (nº 7/8, July/August, 1991). |
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Scaletti, Carla: "Composing Sound Objects in Kyma", Perspectives of New Music, (Volume 27, nº1, Winter, 1989). |
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Smalley, Denis: "Composer Intention and Listener Reception: Can They Be Reconciled?" unpublished paper for a conference during the Nordic Computer Music Days, Stockholm (September, 1991). |
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The Eighth Nerve, the Official Organ of the Symbolic Sound Corporation, newsletter from the creators of the workstation Kyma/Capybara. Vol. 2, nº1. Spring 1992. |
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Truax, Barry: " Composing with Real-time Granular Sound", Perspectives of New Music, (Volume 28, April, 1990). |
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Truax, Barry: "Real-time Granular Synthesis with a Digital Signal Processor", Computer Music Journal, (Volume 12.2, 1988). |
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Truax, Barry: "Time-shifting of Sampled Sound with a Real-time Granulation Technique", ICMC Glasgow 1990 Proceedings, (1990). |
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Vandenhede, Jan: "Jonathan Harvey's Ritual Melodies", Sonic Arts Network Journal, (Volume 5, June 1991). |
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Vaz, Guilherme: " Música: Orfeu", Arte e Palavra - Orfeu, (Forum de Ciência e Cultura, Rio de Janeiro (1990). |
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Wishart, Trevor: "Computer Music and Postmodernism", Sonic Arts Network Journal, (Volume 5, June, 1991). |
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Bayle, François: Motion Emotion -Les Couleurs de la Nuit, (INA C1001, INA-GRM, FRANCE) |
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Bayle, François: Théâtre d'Ombres - Mimaméta, (MG CB 0291, Magison, INA-GRM, FRANCE) |
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Bayle, François: Vibrations Composées - Grande Polyphonie, (MG CB 0392, Magison, INA-GRM, FRANCE) |
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Henry, Pierre: Le Livre des Morts Egyptien, (Mantra 043, WM330, FRANCE) |
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Ligeti, György: Chamber Concerto, Ramifications, String Quartet et al, (DGG 423 244-2, Deutsche Gramophon, GERMANY) |
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Ligeti, Nono, Boulez, Rihm: Wien Modern, (DGG 429 260-2, Deutsche Gramphon, GERMANY) |
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Nono, Luigi: Como una Ola de Fuerza..., (DGG 423 248-2, Deutsche Gramophon, GERMANY) |
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Parmegiani, Bernard: De Natura Sonorum, (INA CD 0192, INA-GRM, FRANCE) |
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Parmegiani, Bernard: La Création du Monde, (INA C1002, INA-GRM, FRANCE) |
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Racot, Risset et Teruggi: Daniel Kientzy Saxophones - Saxcomputer, (INA C2000, INA-GRM, FRANCE) |
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Schaeffer, Pierre: L'Oeuvre Musicale, (INA C1006-1007-1008-1009, INA-GRM/Seguier, ADDA, FRANCE) |
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Smalley, Maiguashca, Loy et al.: Computer Music Currents 5, (Wer 2025-2, Wergo, GERMANY) |
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Smalley, Vaggione, Kessler et al.: Computer Music Currents 6, (Wer 2026-2, Wergo, GERMANY) |
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Vaughan, Williams, MacDonald, Wishart et al. Electroacoustic Music, (Overhear Music 1989, University of Keele, UK) |
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Zanési, Christian: Stop l'Horizon, (INA C2001, INA-GRM, FRANCE) |